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JamStage News
 
JamStage Vocal Coach Michelle Cruz, Wins Motif Magazine' Best Americana Album of the Year!
“Winning album of the year was
such an amazing feeling!! I just
think of how I almost didn't record
this album after tragedy struck. This
album was created in the two-year
period following the unexpected
death of my longtime love. It was an
artistic reawakening, born from
tragedy’s devastation, a testament to
the restorative power of art, music
and love. I have a whole new out-
look on life…I am ready for new
love, new life and new music...
Thank you to everyone who support-
ed this effort!” These were
Michelle’s thoughts about the inspi-
ration for her award winning CD,
The Recovery. Cruz’s band was
formed after she evolved from solo
folk performer to fronting a jazz
based band. Cruz is giving her own folk compositions new life with jazz
arrangements and writing new material as well. Michelle adds, “It is great
to be working with guys who can really adapt to new things that I am work-
ing on. We are gelling as a band and the creativity gets better with each per-

formance.” ~ John Fuzek 


 
JamStage Manager, Rich Gaccione's band Mouth of Flowers gets Phoenix write up!
Mouth of Flowers

Mouth of Flowers in Full Effect

Petal to the metal

Devotees of mid-'90s indie/post-hardcore/CMJ-approved alt-rock have been feeling the love the past few years, with successful cash-grab one-offs and reunions tours from My Bloody Valentine, Swervedriver, the Pixies, the Jesus Lizard and, most recently, Archers of Loaf (!) among others, welcomed with open arms (and wallets) by those of us still pining for the good ol' days of Matt Pinfield and 120 Minutes ("from their debut album Silver Sweepstakes, here's Knapsack with 'Cellophane' "). If early-era Pumpkins and Hum remain on your playlist, we suggest looking up local trio Mouth of Flowers. Check out the band's first three (shoegazer-friendly) tracks streaming right now at mouthofflowers.bandcamp.com.

When we last heard from former Reggie & the Full Effect guitarist Rich Gaccione, he was brushing the skins for local indie folk act the Devil My Pocket, while punk-hardcore vet Sean Murphy spent the '00s touring the globe and shredding his voice with Verse, and Alyssa Amaral paired with both as a drummer during their days with What Feeds the Fire. In an effort to keep things interesting, the three opted to play musical chairs.


"When we got together for the first time back in April [2010], we wanted to try something new and exciting without any expectations or genre keeping us pinned down to a specific sound," Gaccione told me during a recent chat. "So we decided to test our musical abilities and each of us undertook an instrument we hadn't really played in a band before."

Amaral plays bass, Murphy is the lead singer and sole guitarist, and lumbering giant Gaccione, a New York native who spent his teen years within the historically-fertile Long Island hardcore scene, now bashes the kit for Mouth of Flowers.

"It was an amazing process to write songs this way," Gaccione said, visibly stoked about the possibilities. "The three of us love loud, experimental rock music like Dinosaur Jr. and My Bloody Valentine, and this was our opportunity to create our version of that sound from the ground up."

The three songs posted — "Emma," "Ocean Town," and "The Providence Brave" — will be released as a seven-inch in a few weeks via Willowtree Records. MOF have since written two new tracks, polishing an eight-minute song that Gaccione refereed to as "a sonic roller coaster" as well as "Samesies," which they recently debuted at a show at the 201. Gaccione comically shattered every last stick during the 30-minute set (Amaral noodled with Nirvana's "Breed" during one pause in the action). With only a handful of gigs under their belts, Mouth of Flowers played to a packed house on New Year's Eve at Philly's Theatre of Living Arts, opening for Reggie & the Full Effect (the entire set is posted on YouTube).

"Reggie comes calling on me every now and again and I'll always make time for those guys, but right now Mouth Of Flowers is my main priority," Gaccione said.

Hearing Murphy sing a line such as "She is the sun that clears every storm" and the chorus "Everybody loves you" on "Emma," it's hard not to think of Billy Corgan; ironically, "The Providence Brave" was originally titled "Space Boy" before the band recalled a Pumpkins song of the same name ("Yeah, I guess we kinda spaced out there for a minute," Gaccione said, laughing). Hum frontman Matt Talbot comes to mind foremost, though; not coincidentally, MOF is tucking away for a trip to Illinois and record their full-length debut at Talbot's Great Western Record Recorders studio.


By CHRIS CONTI  |  February 15, 2011 Providence Phoenix


 
R.I.’s first-ever Girls Rock Camp
Guitarist Emma Corbin, 13, right, of Providence, practices with Kelly Donovan of Barrington at JamStage Music Complex in Pawtucket.

Most of her classmates at the all-girls St. Mary Academy-Bay View favor pop and hip-hop music, but 13-year-old Alexandra Garay would rather spend her free time listening to rock songs by bands like the Beatles and Queen. The Providence teen even owns a guitar. But she never got up the nerve to play it until her first day at Girls Rock Camp.

“The goal is empowerment and music is the medium,” said Hilary Jones, executive director of Girls Rock! Rhode Island.

Garay, along with 26 other girls ranging in age from 11 to 16, recently attended Rhode Island’s first-ever Girls Rock Camp. Each camper was assigned an instrument (guitar, bass, drums or vocals), formed a band, and in just five days, wrote and performed an original song in front of an audience at Providence arts venue AS220.


The day camp, held at Pawtucket’s JamStage practice facility, also included one-on-one time with female instrument instructors, performances by local musicians and workshops on topics such as self defense, media literacy and body confidence.

Fourteen-year-old Lucy Patterson couldn’t believe how well she could play the bass after just a few days.

“I feel powerful,” said Patterson explaining what it’s like to practice with her band, Strawberry Basket Upside Down. “I’ve never played an instrument this loud.”

Despite the strides women have made in the music industry and female adolescents’ increased sense of gender equality, girls are still more often encouraged to sing in slinky dresses rather than rock out with instruments, said Jones.

“Oftentimes, when female musicians are in the media, the attention is focused more on their appearance than their abilities,” said Jones.

Not only that, but most music magazines are directed at a male audience; women who do play rock instruments tend to start later in life than men; and less than 20 percent of the bands performing at last year’s South by Southwest Festival in Austin, Texas, had one or more female members.

“We want to instill in them the notion that girls are capable of expressing themselves through music in any format they want,” Jones said.

First inspired by all-male bands such as Nirvana, then the feminist Riot Grrrl movement of the early ’90s, Jones, 30, began playing guitar and bass at age 14. In music, she could channel her emotions in a positive way. “Instead of feeling bored or sad, I could just go play guitar.”

As she got older and started playing in bands and working in music shops, Jones said she began to realize that not all women feel welcome in the industry. So when she discovered Rock ’n’ Roll Camp for Girls –– which began in Portland, Ore., and has since spawned local versions everywhere from Philadelphia to Sweden –– she had to get involved.

Two years ago, on the heels of finishing a doctorate in psychology, Jones volunteered as a bass instructor at the Willie Mae Rock Camp for Girls in Brooklyn, N.Y. The experience inspired her to start planning and raising money for a Rhode Island camp. (The Rhode Island State Council on the Arts and the City of Pawtucket, among others, have lent support.)

Last year, the organization began by hosting a Ladies Rock Camp for adults. That initial camp and a subsequent one this past March served as fundraisers for the girls’ camp. Many of the participants in the Ladies Rock Camp were among the 35 volunteers at the girls’ version. They served as instrument instructors, workshop facilitators and band coaches.

Jane Hesser of Providence, who has been a band coach for both the girls’ and women’s camps, found working with adolescents more challenging than coaching adults.

“The girls have a lot more to overcome than the ladies,” she said. “They’re much more preoccupied about what their peers think of them, and they’re not as comfortable in their own bodies.”

Reba Mitchell, of Providence, a volunteer vocal coach, said girls aren’t often encouraged to form a community and, in this “Mean Girls” era, simply to be nice to one another.

“They aren’t given a model that says it’s OK for females to try things and make mistakes,” she added. “Just the ability to get loud is really undernourished in women.”

By day two, Nico Jones, is already echoing that sentiment. Wearing a lavender Ramones T-shirt, denim cutoffs and black ankle warmers, the 11-year-old belts out “don’t forget to scream and shout,” lyrics to the song she wrote with her band, the Oreo Crew. “Singing gives me butterflies, but in a good way,” she said.

In the practice room next door, 13-year-old Emma Corbin is all smiles as she plays rhythm guitar with her band, 2 x 2 Loud. She’s always wanted to be in a band but didn’t have many friends who shared her interest in rock music. Corbin said she thinks girls are often deterred from participating in rock because they’re intimidated by the male-dominated industry. And things would have played out much differently if boys had been allowed in the camp, she said.

“I don’t think we’d be as inclined to spaz out,” she said. “I’d probably be a lot more self-conscious. Most girls think a lot about how they look and what guys think of them, but this camp teaches girls to be proud of themselves for who they are and what they do.”

Jones couldn’t have said it better herself. For more information on the next Ladies Rock Camp, scheduled for October 8-10, or the 2011 summer camp for girls, visit www.girlsrockri.org.


By Jenna Pelletier

Providence Journal Staff Writer


 
JamStage vocal coach Mary Brierly is the top female vocalist in Providence!
JamStage vocal coach Mary Brierly, known to all as Mary Bee, has been selected in the Phoenix Best Music Poll as the top female vocalist in Providence, and with good reason: her recent debut Fiesole provides plenty of memorable moments, cooing across jazz, R&B, and hip-hop rhythms. She teamed with longtime friend and producer David Gonzalez, who cooked up a variety of beats to accompany Mary's captivating vocals. Fiesole's opening tracks "Without Fear" and "Everything" are reason alone to pick up the album, while "Like This," the jazzy "Rainbows," and the title track are among the many highlights. And don't let her quiet demeanor fool you: Mary Bee can belt it out onstage, as Gonzalez noted: "Talk to Mary and you'll get a lot of innocent shy girl, but then she starts singing and that little girl starts to roar like a lion."

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